Offset Lithograph Reproduction of Kitagawa Utamaro's 'Tosei Gonin Musume'

Estimated value
$20 - $50Rarity
Common(2/10)Category
Prints & PostersEra
Circa 1950-1980Origin
🇯🇵 JapanArtist / Creator
Kitagawa UtamaroAuthenticity
OFFSET LITHOGRAPH REPRODUCTION OF KITAGAWA UTAMARO'S 'TOSEI GONIN MUSUME': IDENTIFICATION
A framed photomechanical reproduction of a classical ukiyo-e woodblock print, originally designed by Kitagawa Utamaro. The composition features five bijin (beautiful women) arranged in a tight group, a format characteristic of Utamaro's okubi-e (large-head) portraits. The upper right text reads '當世五人娘' (Tosei Gonin Musume), and the signature on the left reads 'Utamaro Hitsu' (drawn by Utamaro). While the piece replicates the lines and color blocks of an Edo-period print, the macro photograph reveals a distinct CMYK halftone dot matrix, confirming this is a modern offset lithograph rather than a hand-rubbed woodblock.
Compare with other prints in the archive: Abstract Mixed Media Print ('Monoprint'), Abstract Chromatic Lithograph by A. Vrede, Luigi Leisner (1889-1970) - 'Fidelio', Etching of the Vienna State Opera, c. 1920-1940.
PRINT LINEAGE
COLLECTOR NOTES
In 1804, Utamaro was imprisoned and manacled for 50 days by the Tokugawa shogunate for producing prints featuring historical figures in ways deemed disrespectful to the ruling class.
SCARCITY
Older mass-produced items still widely available. Easy to find on eBay, antique malls, and estate sales in large quantities.
Rarity 2/10. Curiosa currently catalogues 26 prints items at rarity 2 or higher.
Typical Characteristics
- Mass produced historically
- High survival rate
- Readily available everywhere
Confidence Factors
PRINT SPECIALIST'S TAKE
Asian Art Specialist
The provided macro photograph of the printed surface definitively reveals a halftone dot matrix, leaving zero doubt that this is a photomechanical reproduction rather than an original hand-pulled woodblock.
CONDITION & GRADE
Condition
The printed surface appears clean and flat within the framing under glass. The user notes minor wear, which aligns with typical handling marks expected on a mid-century wooden or metal display frame.
PRINT MARKET VALUATION
Updated: Aug 3, 2026
- Market comparables from auctions & retail
- Condition, completeness & craftsmanship
- Current collector demand & trends
- Low = quick sale, high = patient seller
For informational purposes only, not a formal appraisal.
YOUR INPUT VS. SCAN
How your provided context compares with Curiosa.com scanner findings.
What Aligned
- The user's assessment of 'Replica/Reproduction' is definitively confirmed by the macro image revealing a commercial halftone dot matrix instead of solid carved ink lines.
- The user's 'Mid century' dating is consistent with the widespread use of offset lithography for domestic art prints during that era.
What Conflicted
- While the user noted 'Unknown' artist, the print bears the signature of the renowned Edo-period artist Kitagawa Utamaro (哥麿筆) on the middle-left, identifying the creator of the original composition.
SIMILAR CURIOSITIES
Abraham and Isaac (Bartsch 34), Etching after Rembrandt van Rijn
Set of Four Prints after Henri Matisse's "Blue Nudes" (Nus Bleus I-IV)
Kees van Dongen (after) - Ludmilla Pitoëff in 'Sainte Jeanne', 1925
Abstract Chromatic Lithograph by A. Vrede
"Marcelle Léoni" Color Lithograph by Kees van Dongen
Abstract Mixed Media Print ('Monoprint')
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