Kees van Dongen (after), "Ludmilla Pitoëff as Saint Joan" Theatrical Poster

QUICK FACTS
Type
Museum Object
Categories
Era
1925
Origin
🇫🇷 France
Brand
H. Chachoin
Artist/Maker
Kees van DongenRarity
Rare (7/10)
Discovered
Jan 25, 2026
3 weeks ago
DESCRIPTION
An original 1925 stone lithograph poster advertising the 100th performance of George Bernard Shaw's play "Sainte Jeanne" at the Théâtre des Arts in Paris. The poster features a striking portrait of the lead actress, Ludmilla Pitoëff, designed by the celebrated Fauvist artist Kees van Dongen. Printed by H. Chachoin in Paris, the piece is an iconic example of Art Deco graphic design, blending van Dongen's expressive portraiture with bold, geometric typography.
CULTURAL ECHOES
Where This Object Echoes
Van Dongen's work follows the tradition established by artists like Toulouse-Lautrec in the 1890s, who elevated commercial advertising for Parisian entertainment into a respected art form.
The stark, emotionally charged portrait with its intense gaze echoes the psychological depth found in German Expressionist art of the same era, although Van Dongen's color palette remains rooted in Fauvism.
Ritual & Ceremonial Use
- •Theatrical Commemoration: This poster was created to celebrate a milestone (the 100th performance), elevating a simple advertisement into a commemorative object.
- •Collecting Graphic Art: The survival of this poster is thanks to the culture of 'affichomanie' (poster mania), where collectors began prizing these ephemeral advertisements as works of art in their own right.
Meaning Through Time
A disposable street advertisement meant to attract theater-goers. Its value was purely commercial and temporary.
Recognized by art historians as a significant work of Art Deco graphic design and an important piece by a major Fauvist artist.
A blue-chip collectible and museum piece, representing the pinnacle of the fusion between fine art and commercial advertising in early 20th-century Paris.
HISTORICAL STORY
DID YOU KNOW?
The actress portrayed, Ludmilla Pitoëff, was so identified with the role of Saint Joan that playwright George Bernard Shaw himself declared her the greatest Joan he had ever seen.
Most original posters like this were glued to Parisian walls and destroyed by weather or covered by new posters, making surviving examples in excellent condition exceptionally rare.
MATERIAL & CONDITION
Surface
Matte surface of paper with characteristic ink absorption from the stone lithography process. The colors appear vibrant against the gently aged, cream-colored paper.
Weight & Feel
The poster itself is lightweight paper. Framed under glass at its large size (162 x 117 cm), the complete object would be very heavy and substantial, requiring professional handling.
Condition
The poster appears to be in excellent condition, consistent with the user's "Mint" description. The paper shows a gentle, even toning appropriate for its age. No visible tears, major folds, or significant foxing from the provided images.
RARITY ANALYSIS
Exceptional items that serious collectors actively seek. Only a handful appear at major auctions each year.
Typical Characteristics
- Few examples at auction yearly
- Specialist dealer networks
- Strong collector competition
ESTIMATED VALUE
Updated: Jan 25, 2026
- Market comparables from auctions & retail
- Condition, completeness & craftsmanship
- Current collector demand & trends
- Low = quick sale, High = patient seller
For informational purposes only—not a formal appraisal.
CONTEXT ANALYSIS
How your provided context compares with Curiosa.com scanner findings.
What Aligned
- User claim of artist 'Kees van Dongen' is visually confirmed by the text 'D'après VAN DONGEN'.
- User specified time period '1925' is explicitly printed on the poster.
- The subject 'Ludmilla Pitoëff' is the most prominent text on the advertisement.
- User's 'Mint' condition assessment is consistent with the excellent state of preservation visible in the images.
- The user's stated size of 162x117 cm is the known, correct dimension for this original poster.
What Conflicted
- User mentioned 'Atelier Mourlot' as the printer, but the poster is clearly marked 'H. CHACHOIN Imp. Paris'. While van Dongen worked with the famed Mourlot studio on other prints, this specific poster was produced by Chachoin.
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