Kees van Dongen (Dutch, 1877-1968) - 'Marcelle Leoni', Color Lithograph, 1959

    Color lithograph by Kees van Dongen titled 'Marcelle Leoni', showing a woman with large dark eyes, framed and hanging on a blue wall. - view 1
    1/3
    Uncommon (5/10)
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    QUICK FACTS

    30

    Type

    Museum Object

    Era

    1959

    Origin

    🇫🇷 France

    Artist/Maker

    Kees van Dongen

    Rarity

    Uncommon (5/10)

    Discovered

    Jan 21, 2026

    1 months ago

    DESCRIPTION

    This is a fine color lithograph of 'Marcelle Leoni', one of Kees van Dongen's most iconic subjects. The composition is classic Van Dongen: the subject confronts the viewer with enormous, kohl-rimmed eyes, a stylistic hallmark that came to define the Parisian 'garçonne' of the 1920s. Though created in 1959, late in his career, the work retains the expressive potency of his Fauvist origins through the audacious simplification of form and the melancholic blue-grey palette, punctuated by the vivid red of the lips. The handling is confident, translating his painterly style into the layered medium of lithography with masterful effect.

    CULTURAL ECHOES

    Where This Object Echoes

    Fauvismc. 1905-1908

    The print's expressive, non-naturalistic use of form and color directly stems from Van Dongen's central role in the Fauvist movement of the early 20th century.

    Art Decoc. 1920-1939

    The subject matter, a stylized and fashionable 'garçonne', is an iconic motif of the Art Deco period, a style Van Dongen's portraiture helped define.

    German Expressionismc. 1910-1920s

    The emphasis on psychological mood and the use of large, haunting eyes find parallels in the portraiture of German Expressionists like Alexej von Jawlensky.

    Ritual & Ceremonial Use

    • •Gallery exhibition and the collecting of Modern Master prints.
    • •The use of portraiture to capture and define the zeitgeist of an era.

    Meaning Through Time

    1920s

    As a painting, the subject symbolized the modern, liberated Parisian woman—the 'garçonne'.

    1959

    As a lithograph, the image became a nostalgic reflection by an established master on an iconic moment from his past.

    Present Day

    The work is now viewed as a classic, 'blue-chip' example of European Modernism, a staple of the fine art market.

    HISTORICAL STORY

    Kees van Dongen, though Dutch by birth, was a pivotal figure in the Parisian avant-garde and a leading member of the Fauvist movement alongside Matisse and Derain. The Fauves were notorious for their use of intense, non-naturalistic color. This print revisits a subject, the actress Marcelle Léoni, ...
    Kees van Dongen, though Dutch by birth, was a pivotal figure in the Parisian avant-garde and a leading member of the Fauvist movement alongside Matisse and Derain. The Fauves were notorious for their use of intense, non-naturalistic color. This print revisits a subject, the actress Marcelle Léoni, who fascinated Van Dongen decades earlier and became an emblem of the Roaring Twenties. Created at the legendary Atelier Mourlot in Paris, this work is part of a celebrated post-war revival of artist's lithography, where masters like Picasso and Chagall also produced major print editions. It represents a mature artist reflecting on the themes that first brought him fame.

    DID YOU KNOW?

    1

    Van Dongen was known as the 'painter of the Roaring Twenties,' and his portraits of women with huge, dark eyes came to define the era's fashionable 'garçonne' look.

    2

    This print was made at the legendary Mourlot Frères studio in Paris, where masters like Picasso, Matisse, and Chagall also created some of their most famous lithographs.

    MATERIAL & CONDITION

    Surface

    The surface is characteristic of a high-quality lithograph on heavy wove paper, likely Arches as the label suggests. The ink appears to sit on the paper with a matte, velvety texture, and one can discern the successive layering of colors, particularly in the cool greys and blues of the background.

    Weight & Feel

    As a work on paper, the print itself is lightweight. The overall piece feels substantial due to the solid wood frame and protective glazing.

    Condition

    From what is visible through the glass, the print appears to be in very good to excellent condition. The colors are fresh and there is no apparent acid burn from the mat (toning) or spotting (foxing). A full condition assessment would require removing it from the frame.

    RARITY ANALYSIS

    Uncommon70-80%
    CommonLegendary

    Genuine antiques with fewer examples on the market. Named makers, documented provenance, or early production examples.

    Typical Characteristics

    • Limited production
    • Named makers
    • Growing collector demand

    EXPERT ANALYSIS

    Museum-Trained Art Historian

    Connoisseur

    Confidence is high because all visual information aligns with the extensive and verifiable details provided on the gallery label, including the artist's name, title, medium, printer, and a specific catalogue raisonné number.

    KEY EVIDENCE

    • 1The visible pencil signature 'van Dongen' is stylistically correct for the artist.
    • 2The adjacent gallery label provides the catalogue raisonnĂ© number, Juffermans JL 30, which is the definitive scholarly reference for his prints.
    • 3The subject, 'Marcelle Leoni', is a well-known and highly characteristic theme in Van Dongen's work.
    • 4The style is entirely consistent with Van Dongen's later work, retaining his Fauvist roots.
    • 5The label identifies the printer as 'Mourlot', the premier lithography workshop in Paris at the time.

    UNCERTAINTIES

    • •The retail price of €14,000 listed on the label is at the highest end of the market and significantly above recent auction results, which is typical for a gallery setting.

    WHAT WOULD IMPROVE CERTAINTY

    • →Carefully examine the work out of its frame to check for markings on the verso, including the edition number (e.g., '123/500').
    • →Inspect the full sheet margins for any condition issues not visible within the mat opening.
    • →Use a loupe to examine the quality of the pencil signature and the characteristic texture of a stone lithograph.

    ESTIMATED VALUE

    $7,000 - $12,000

    Updated: Feb 26, 2026

    • Market comparables from auctions & retail
    • Condition, completeness & craftsmanship
    • Current collector demand & trends
    • Low = quick sale, high = patient seller

    For informational purposes only, not a formal appraisal.

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