"Marcelle Léoni" Color Lithograph by Kees van Dongen

Estimated value
$4,000 - $8,000Rarity
Scarce(6/10)Type
Museum ObjectCategory
Prints & PostersBrand
Atelier MourlotEra
1959Origin
🇫🇷 FranceArtist / Creator
Kees van DongenAuthenticity
"MARCELLE LÉONI" COLOR LITHOGRAPH BY KEES VAN DONGEN: IDENTIFICATION
A 1959 color lithograph titled 'Marcelle Léoni' by Kees van Dongen, printed by the Mourlot studio in Paris on Arches paper. The portrait features a woman with van Dongen's characteristic oversized, deeply shadowed eyes, a sharp bob haircut, and a pristine white collared blouse accented by a dark bow tie, set against a cool blue and grey background. The piece exhibits a pencil signature reading 'van Dongen' in the lower right margin, housed beneath a white mat in a dark wooden frame with a silver inner lip.
Compare with other prints in the archive: Kees van Dongen (after) - Ludmilla Pitoëff in 'Sainte Jeanne', 1925, Abstract Mixed Media Print ('Monoprint'), Abstract Chromatic Lithograph by A. Vrede.
PRINT LINEAGE
COLLECTOR NOTES
This specific edition of 200 was printed by Mourlot Frères, the same Parisian workshop commissioned by artists such as Picasso and Matisse during the 1950s.
SCARCITY
Genuinely harder to find. Perhaps only dozens come to market annually. Collectors actively watch for these pieces.
Rarity 6/10. Curiosa currently catalogues 4 prints items at rarity 6 or higher.
Typical Characteristics
- Dozens per year at market
- Documented provenance valued
- Active collector pursuit
Confidence Factors
- Present in a gallery setting with explicit catalogue raisonné references (Juffermans JL 30).
- Visual printing characteristics align with known Mourlot lithographs from 1959.
- The gallery tag explicitly identifies the edition size (200) and paper type (Arches).
PRINT SPECIALIST'S TAKE
Museum-Trained Art Historian
The presence of a detailed gallery tag with specific catalogue raisonné citations (JL 30) strongly supports the identification, though the discrepancy regarding the signature location (front versus back) slightly tempers absolute certainty without unframed physical inspection.
KEY EVIDENCE
- 1Pencil signature 'van Dongen' visible in the lower right margin.
- 2Gallery label definitively identifies the work as 'Marcelle Léoni' (1959).
- 3Label cites definitive authoritative reference 'Juffermans: JL 30'.
- 4Label indicates an edition of 200 printed by Mourlot on Arches paper.
UNCERTAINTIES
- •The gallery label actively states 'gesigneerd en genummerd op achterzijde' (signed and numbered on the reverse), yet a 'van Dongen' signature is clearly visible on the front margin, necessitating physical inspection to reconcile the discrepancy.
WHAT WOULD IMPROVE CERTAINTY
- →Unframe the piece to examine the reverse side, verifying if the edition numbering (out of 200) is present as the gallery label claims.
- →Examine the paper edges under raking light to locate the Arches watermark.
CONDITION & GRADE
Grading breakdown
Assessment is limited by glass reflection, but the visible paper margin is clean, and the ink layers remain vibrant with no obvious margin foxing.
Condition
The lithograph appears in Very Good condition beneath the unexamined glass. There is no visible foxing, moisture damage, or profound UV fading apparent on the exposed image area or lower margin.
PRINT MARKET VALUATION
Updated: May 11, 2026
Who buys this
Collectors of School of Paris prints, mid-century European lithography enthusiasts, and buyers seeking vetted auction or gallery-tier 20th-century art.
What increases value
- •Explicit Catalogue Raisonné confirmation (Juffermans JL 30)
- •Vibrancy of the blue and black inks
- •Clean paper margins free of acid burn
What lowers value
- •UV fading caused by display under non-conservation glass
- •Acid burn from non-archival matting pressing against the sheet
What makes top-tier examples
- •Bright, unfaded color registration
- •Clear, bold pencil signatures accompanied by explicit numbering
Grade & condition
Paper integrity, absence of foxing, sharpness of the lithographic ink layers, and vividness of the color saturation.
Rarity & demand
For informational purposes only, not a formal appraisal.
SIMILAR CURIOSITIES
Marino Marini - "Il Greco" Aquatint Etching
Set of Four Prints after Henri Matisse's "Blue Nudes" (Nus Bleus I-IV)
Kees van Dongen (after) - Ludmilla Pitoëff in 'Sainte Jeanne', 1925
Abstract Chromatic Lithograph by A. Vrede
Wouter Tulp, 'Erden aan wie wij zijn' (We are what we are), Print, 1999
Femme à la Fenêtre (Woman at the Window), after Pablo Picasso
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