Framed Print of "Die Häuser hängen unter den Wiesen" by Hundertwasser

Name: Framed Print of "Die Häuser hängen unter den Wiesen" by Hundertwasser
Brand: adeboer
Availability: LimitedAvailability

A framed Hundertwasser print, 'Die Häuser hängen unter den Wiesen', with a red-roofed building, seen in a shopping basket. - view 1

1/2

Common (2/10)

Add to Watchlist

QUICK FACTS

DESCRIPTION

This is a framed reproduction print of the artwork "Die Häuser hängen unter den Wiesen" (The houses hang underneath the meadows), originally a Japanese woodcut created in 1964 by the Austrian artist Friedensreich Hundertwasser. The print is identified by the artist's name and his work number, "587", printed at the bottom. The artwork showcases Hundertwasser's signature style with its vibrant red organic roof, rejection of straight lines, and dreamlike composition. It is double-matted and set in a black lacquered frame.

CULTURAL ECHOES

Where This Object Echoes

Catalan ModernismeLate 19th - Early 20th Century

The rejection of straight lines and use of organic, flowing forms evoke the architectural work of Antoni Gaudí in Barcelona.

Japanese Ukiyo-eEdo Period (1603–1868)

Hundertwasser was directly inspired by Japanese woodblock prints, adopting their flat planes of color, bold outlines, and collaborating with Japanese masters for his own prints.

Ritual & Ceremonial Use

•The collection and display of art posters, a practice that democratized art in the late 20th century, allowing people to affordably bring famous works into their homes and personalize their living spaces.

Meaning Through Time

1960s

As an original woodcut, the object was a rare, collectible piece of fine art representing a European artist's engagement with Japanese techniques.

Late 20th Century

As a mass-produced poster, it became an accessible symbol of counter-culture, environmentalism, and a preference for organic, humanistic design over sterile modernism.

HISTORICAL STORY

Friedensreich Hundertwasser (1928-2000) was a prominent Austrian artist, architect, and environmental activist. He was known for his opposition to "the straight line," which he called "the tool of the devil." His work is characterized by bright colors, organic forms, and a philosophy of harmony ...

DID YOU KNOW?

Hundertwasser believed standard architecture was oppressive and designed famous buildings with uneven floors, trees growing from windows, and grass on the roofs.

He created a unique cataloging system for his own work, assigning a number to each piece, which is why "587" is printed on this image.

MATERIAL & CONDITION

Surface

The surface of the print appears smooth and matte, protected behind glass. The frame is black lacquer with a speckled, slightly textured detail.

Weight & Feel

Appears to be a standard weight for a framed print of this size, likely 2-4 lbs (1-2 kg).

Condition

The print itself appears to be in excellent condition with no visible fading or damage. The frame shows minor scuffs and wear consistent with a second-hand item.

RARITY ANALYSIS

Common20-40%

CommonLegendary

Older mass-produced items still widely available. Easy to find on eBay, antique malls, and estate sales in large quantities.

Typical Characteristics

Mass produced historically
High survival rate
Readily available everywhere

ESTIMATED VALUE

$25 - $75

Updated: Jan 31, 2026

Market comparables from auctions & retail
Condition, completeness & craftsmanship
Current collector demand & trends
Low = quick sale, high = patient seller

For informational purposes only, not a formal appraisal.

CONTEXT ANALYSIS

How your provided context compares with Curiosa.com scanner findings.

What Aligned

User claim of 'Original/Authentic' aligns with the design being authentically from the artist Friedensreich Hundertwasser and corresponding to a known work.
User stated 'Minor wear', which is consistent with the visible condition of the frame and protected print.

What Conflicted

The user's belief that the object is an 'Original/Authentic' artwork conflicts with visual evidence. The piece lacks a hand-written signature and edition number, indicating it is a reproduction (e.g., a poster) and not an original limited-edition woodcut.