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Japanese Sometsuke Blue and White Porcelain Plate

Late 19th century Japanese blue and white porcelain plate featuring an asymmetrical peony and geometric trellis design. - view 1
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Estimated value

$45 - $85

Rarity

Average(4/10)

Category

Asian Art

Era

Late Meiji Period (c. 1890-1910)

Origin

🇯🇵 Japan

Authenticity

Very High(90%)
10

JAPANESE SOMETSUKE BLUE AND WHITE PORCELAIN PLATE: ORIGINS & SIGNIFICANCE

A Japanese underglaze blue and white (sometsuke) porcelain plate, characterized by an energetic, distinctly asymmetrical composition. The central design reserves negative space to depict a large blooming peony, contrasted sharply against a rigid, geometric trellis or faux-bamboo framework. The geometric fields feature tight "diaper" patterns, likely executed using early inban (stencil/transfer) techniques which were often combined with hand-painted broader strokes during this era. The reverse displays an unglazed foot rim with distinct iron oxide spotting—a hallmark of period kiln firing—and three sparse, stylized floral sprigs painted on the exterior rim. The base glaze exhibits a subtle wavy texture, often referred to by specialists as an 'orange peel' effect, which is highly typical of Meiji-era provincial kilns.

EASTERN & WESTERN ECHOES

Where This Object Echoes

Chinese Qing Dynasty17th-19th Century

Kraak and later export wares utilizing partitioned borders, which originally influenced Japanese Arita potters before the Japanese localized the aesthetic.

European Aesthetic MovementLate 19th Century

Western designers heavily borrowed this exact asymmetrical 'Japonisme' layout of floral bursts overlapping harsh geometric grids.

Ritual & Ceremonial Use

  • Domestic dining and presentation of seasonal foods, where the floral motifs would complement the meal served.

Meaning Through Time

Meiji Period

Utilitarian domestic ware or competitive export commodity meant to showcase modernized Japanese semi-industrial craft.

Modern Era

Accessible collector's antique, appreciated for its wabi-sabi imperfections and bridge between handmade and industrial eras.

EASTERN PROVENANCE

During the Meiji period (1868-1912), the Japanese ceramic industry underwent a profound transformation, bridging traditional Edo-period wood-fired artisan kilns with modern, high-volume production techniques to meet both a surging export market and domestic demand. The integration of katagami ...
During the Meiji period (1868-1912), the Japanese ceramic industry underwent a profound transformation, bridging traditional Edo-period wood-fired artisan kilns with modern, high-volume production techniques to meet both a surging export market and domestic demand. The integration of katagami (paper stencils) and later copper-plate transfer printing alongside traditional hand-painting authorized kilns in the Arita region to produce complex geometric patterns consistently. The design language here remains strictly Japanese; the asymmetrical placement of the peony—a symbol of prosperity and honor—defies the rigid symmetry usually found in Chinese exported counterparts, favoring instead a dynamic tension between organic flora and linear architecture.

EASTERN FOOTNOTES

1

The geometric patterns filling the background panels are known as 'diaper' motifs, an ancient design concept meant to emulate woven textiles or tortoise shells.

2

The rust-colored spots on the unglazed ring on the back are iron impurities in the clay that oxidized during the firing process, an authenticating hallmark that modern reproductions often struggle to replicate naturally.

MEDIUM & CRAFT

Surface

The piece exhibits a slightly greyish-blue tinted clear glaze over inky cobalt blue underglaze. The surface shows minor micro-scratching typical of century-old handling, and the base displays a pronounced undulation or 'orange peel' texture characteristic of the era's glaze application. Kiln grit and iron firing flaws are visible within the glaze matrix.

Weight & Feel

Substantial and dense, representative of the sturdy porcelain bodies mixed for regular domestic use and export during the late 19th/early 20th century.

Condition

Displays honest age with superficial surface scratches scattered across the face. The unglazed foot rim shows typical shelf wear and oxidation. No severe hairlines, chips, or prominent modern restorations are immediately evident under standard lighting.

HOW SCARCE IS IT?

Average55-70%
CommonLegendary

Typical antique shop fare. Requires some searching but regularly available. This is where most genuine antiques fall.

Typical Characteristics

  • Standard antique shop items
  • Regularly available
  • Moderate collector interest

Confidence Factors

  • This specific tier of provincial Meiji domestic/export ware is rarely subjected to concerted forgery.
  • Natural integration of iron oxide spotting on the foot rim directly aligns with wood-fired or early gas-fired kilns of the period.
  • The specific combination of stencil-like diaper patterns and loose overpainting is a known Meiji period technical compromise.
How does authenticity detection work?

ASIAN ART SCHOLAR'S TAKE

Asian Art Specialist

East Asian Art Expert

High confidence exists due to the perfect alignment of visual markers (glaze undulation, cobalt pooling, foot rim firing characteristics) with the user's highly accurate contextual era and origin claims.

KEY EVIDENCE

  • 1Asymmetrical peony and trellis composition indicative of Japanese aesthetic preferences as opposed to Chinese symmetry.
  • 2Unglazed foot rim showing distinct iron-oxide (rust) spotting resulting from period kiln firing.
  • 3Wavy 'orange peel' glaze texture evident on the reverse base.
  • 4Integration of highly uniform geometric 'diaper' patterns suggesting early inban (stencil) techniques complementing hand-painted elements.

UNCERTAINTIES

  • Lack of user-provided dimensions leaves ambiguity as to whether this is a small plate or a larger charger, which heavily impacts final valuation.

WHAT WOULD IMPROVE CERTAINTY

  • Determine exact dimensions (diameter and depth) to ascertain if this is a standard plate or a more valuable wall charger.
  • Examine the rim beneath an ultraviolet (black) light to check for invisible professional restorations or filled rim frits.

ASIAN ART VALUATION

$45 - $85

Updated: Mar 19, 2026

Who buys this

Collectors of accessible antique Asian ceramics, interior decorators seeking authentic 'blue and white' accents, and enthusiasts of the Meiji period.

What increases value

  • Diameter of the piece (larger plates/chargers command significant premiums over standard 8-inch plates)
  • Intensity and crispness of the cobalt blue underglaze
  • Absence of chips, hairlines, or "fritting" along the delicate outer rim

What lowers value

  • High production volume during the late Meiji/Taisho eras limits the ceiling for appreciation.
  • Any hairline cracks, even if only visible on the reverse, drastically reduce secondary market demand.

What makes top-tier examples

  • Signatures from renowned kilns (e.g., Koransha, Fukagawa) or specific noted artisans
  • Exceptionably large diameters exceeding 15 inches
  • Flawless integration of the transfer patterns without slipping, blurring, or severe cobalt bleeding

Grade & condition

Rim integrity (lack of 'flea bites'), clarity of the unglazed foot, and severity of surface scratching intersecting the central motif.

Rarity & demand

AverageModerate demandModerate liquidity
Browse similar asian objects

For informational purposes only, not a formal appraisal.

CONTEXT ANALYSIS

How your provided context compares with Curiosa.com scanner findings.

What Aligned

  • User stated 'Origin: japan' - The asymmetric composition, specific diaper patterns, and inban techniques completely corroborate a Japanese origin.
  • User stated 'Time Period: 1900' - The glaze texture, technique, and paste color perfectly align with the late Meiji period (circa 1900).
  • User stated 'Minor wear' - Surface inspection reveals light scratching and foot rim abrasion consistent with minor handling over a century.

FROM THE CABINET OF

BR

bruinsma

The Connoisseur55 items

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