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Chinese Martaban-style Stoneware Storage Jar (Cizhou-type slip)

A tall, tapering Chinese stoneware storage jar with a dark brown glazed shoulder and iron-speckled buff body, dated to approximately 1600. - view 1
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Estimated value

$150 - $450

Rarity

Average(4/10)

Category

Asian Art

Era

Late Ming to Early Qing Dynasty (c. 1600–1700)

Origin

🇨🇳 China

Authenticity

High(75%)
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CHINESE MARTABAN-STYLE STONEWARE STORAGE JAR (CIZHOU-TYPE SLIP): ORIGINS & SIGNIFICANCE

A utilitarian stoneware storage vessel, likely used for mercury, oils, or wine. The form is elongated and tapering toward a narrow base, topped with a short, constricted neck and a rolled rim. The upper shoulder displays a dark brown ferruginous (iron-rich) slip or glaze that terminates unevenly, revealing a high-fired, buff-to-tan stoneware body heavily speckled with iron pyrites and kiln grit. Distinct horizontal throwing rings are visible across the midsection, indicating a wheel-thrown production typical of provincial kilns.

EASTERN & WESTERN ECHOES

Where This Object Echoes

Southeast Asian Maritime Trade15th-18th Century

Used as standard currency and storage units in the Philippines and Indonesia during the spice trade era.

Ritual & Ceremonial Use

  • Domestic storage of fermented pastes and soy sauce
  • Maritime transport rituals involving the sealing of jars with wax or clay to protect contents from seawater

Meaning Through Time

17th Century

Purely functional industrial packaging for international shipping.

Modern Era

Appreciated as 'wabi-sabi' decorative art, emphasizing the beauty of imperfect, handmade organic forms.

EASTERN PROVENANCE

Vessels of this specific tapering form were integral to the maritime trade of the Ming (1368–1644) and early Qing dynasties. Known as 'Martaban' jars globally, they were designed for efficient stacking in the holds of trade junks. While the user identifies this as circa 1600 (late Ming), the style ...
Vessels of this specific tapering form were integral to the maritime trade of the Ming (1368–1644) and early Qing dynasties. Known as 'Martaban' jars globally, they were designed for efficient stacking in the holds of trade junks. While the user identifies this as circa 1600 (late Ming), the style persists into the 17th and 18th centuries. Such jars were produced in South China (Guangdong and Fujian provinces) specifically for the export market to Southeast Asia and eventually Europe.

EASTERN FOOTNOTES

1

These jars were often called 'Mercury Jars' by archaeologists because they were frequently used to transport liquid mercury or cinnabar across the South China Sea.

2

The heavy iron spotting in the clay, often seen as a defect today, was a prized indicator of 'living clay' in certain tea ceremony traditions that later adopted these rustic jars.

MEDIUM & CRAFT

Surface

Matte, gritty stoneware body with prominent 'iron spots'; the shoulder features a localized, chocolate-brown iron slip with a slightly metallic luster.

Weight & Feel

Substantial and dense, likely weighing 3–5 lbs depending on wall thickness, providing the stability needed for seafaring transport.

Condition

Minor flaking to the iron slip on the shoulder; surface encrustations and kiln grit present; rim shows minor fritting consistent with age and utilitarian use.

HOW SCARCE IS IT?

Average55-70%
CommonLegendary

Typical antique shop fare. Requires some searching but regularly available. This is where most genuine antiques fall.

Typical Characteristics

  • Standard antique shop items
  • Regularly available
  • Moderate collector interest

ASIAN ART SCHOLAR'S TAKE

Decorative Arts Specialist

Ceramics & Silver Expert

The form and material are highly diagnostic for this period and category, though without seeing the base, a 100% attribution to 1600 vs. slightly later is impossible.

KEY EVIDENCE

  • 1Visible iron pyrites in the clay body typical of provincial South Chinese stonewares.
  • 2Localized ferrogenous slip on the shoulder (‘part-glazing’) is a hallmark of utilitarian Ming export ware.
  • 3Form is a classic 'mercury jar' profile designed for naval transport.
  • 4Wheel-throwing rings indicate hand-production rather than mold-pressing.

UNCERTAINTIES

  • Lack of visible base makes it difficult to confirm kiln-stand marks or 'sand-bottom' characteristics.

WHAT WOULD IMPROVE CERTAINTY

  • Provide a clear photo of the bottom (footrim) to check for sand or kiln-scarring.
  • Check the interior with a flashlight for any residue or specific potting ridges.
  • Perform a 'tap test' to hear the resonance; high-fired stoneware should have a clear, metallic ring.

ASIAN ART VALUATION

$150 - $450

Updated: Mar 21, 2026

Who buys this

Collectors of Chinese export ceramics, shipwreck enthusiasts, and interior designers looking for 'wabi-sabi' aesthetic pieces.

What increases value

  • Integrity of the neck and rim (which are often damaged)
  • Strength of the iron spotting contrast against the buff body
  • Provenance linking it to a specific shipwreck or historical collection

What lowers value

  • Hairline cracks hidden by the uneven slip
  • Large-scale commercial reproductions commonly sold as 'vintage style' decorative items

What makes top-tier examples

  • Exception size (over 12 inches)
  • Presence of original wax or clay seals
  • Provenance from a documented 16th/17th-century shipwreck (e.g., Hatcher Cargo)

Grade & condition

Completeness of the rim, level of salt/seawater erosion (if sea-salvaged), and visibility of throw marks.

Rarity & demand

AverageModerate demandModerate liquidity
Browse similar asian objects

For informational purposes only, not a formal appraisal.

CONTEXT ANALYSIS

How your provided context compares with Curiosa.com scanner findings.

What Aligned

  • User's identification of China as origin matches the fabric and slip characteristics of Cizhou-style or South Chinese export wares.
  • The suggested date of 1600 aligns perfectly with the peak production of this specific tapering 'Martaban' maritime form.
  • The 'minor wear' mentioned aligns with the visible surface patination and minor glaze loss seen in the images.

FROM THE CABINET OF

BR

bruinsma

Fellow Collector31 items

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