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Dutch Blue and White Transferware Plate - 'Delft, Oude Kerk'

Blue and white ceramic plate featuring a pastoral scene of the Oude Kerk in Delft, Netherlands, with a decorative floral border. - view 1
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Estimated value

$15 - $45

Rarity

Ordinary(3/10)

Brand

Royal Schwabap (Based on mark 'Royal Goedewaagen' which now owns Schwabap)

Era

Mid-20th Century (c. 1950s-1970s)

Origin

🇳🇱 Netherlands

Artist / Creator

Delft blauw

Authenticity

Very High(85%)
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KILN TO COLLECTION: DUTCH BLUE AND WHITE TRANSFERWARE PLATE - 'DELFT, OUDE KERK'

This appears to be a decorative ceramic plate, likely earthenware, featuring a transfer-printed scenic decoration in cobalt blue on a white ground. The central image depicts the 'Oude Kerk' (Old Church) in Delft, Netherlands, a common motif for Dutch souvenirs and decorative ceramics. The border is adorned with intricate floral and scrollwork patterns, typical of traditional European blue and white ceramic styles, often inspired by earlier Chinese porcelain.

CLAY ACROSS CULTURES

Where This Object Echoes

Chinese Porcelain14th Century onwards

The 'blue and white' ceramic tradition originated in China during the Tang and Yuan dynasties, inspiring European makers for centuries.

Delftware17th-18th Century

Dutch artisans in Delft famously replicated Chinese blue and white porcelain, developing a distinctive tin-glazed earthenware style that became iconic.

Victorian Transferware19th Century

The popularity of transfer printing in 19th-century Britain made decorative pottery with complex scenes affordable, much like this plate's technique.

Ritual & Ceremonial Use

  • •Decorative display: Such plates were often hung on walls or placed in display cabinets as ornamental pieces, showcasing travel memories or regional pride.
  • •Gift-giving: Souvenir plates like this often served as gifts or mementos from trips to tourist destinations.

Meaning Through Time

17th Century

Blue and white ceramics symbolized exoticism and luxury, due to their Chinese origins and high cost.

19th-20th Century

With industrialization and transfer printing, decorative plates became accessible, representing nostalgia, local pride, or travel souvenirs.

FROM KILN TO COLLECTOR

Blue and white ceramics have a rich history, originating in China and popularizing in Europe from the 17th century. The Dutch, particularly in Delft, became renowned for their tin-glazed earthenware that emulated Chinese porcelain. While this specific plate with its transfer-printed image is a ...
Blue and white ceramics have a rich history, originating in China and popularizing in Europe from the 17th century. The Dutch, particularly in Delft, became renowned for their tin-glazed earthenware that emulated Chinese porcelain. While this specific plate with its transfer-printed image is a later development, likely from the late 19th or early-to-mid 20th century, it continues the tradition of Delft-style pottery and iconography, appealing to both tourists and collectors of regional decorative art.

KILN-SIDE SECRETS

1

The 'Oude Kerk' in Delft, depicted on the plate, is famous for being the burial place of notable figures such as naval hero Piet Hein and the painter Johannes Vermeer.

2

Transfer printing, the technique likely used here, revolutionized ceramic production by allowing intricate designs to be rapidly applied to pottery, making decorative pieces more accessible to a broader market.

GLAZE & CLAY BODY

Surface

The plate exhibits a smooth, glossy glaze over a white earthenware body. The blue decoration is applied via transfer print, evidenced by its crisp, uniform lines and slight pixelation or faint seams that can sometimes be observed with this technique. The reverse is also glazed, with a recessed footrim typical of decorative plates.

Weight & Feel

Based on its size and the likely earthenware composition, the plate would feel moderately weighted, substantial but not overly heavy, indicating a solid ceramic body.

Condition

The plate appears to be in good overall condition, with no obvious chips, cracks, or significant glaze loss visible. There's a string attached for hanging, which suggests it was used decoratively rather than for serving, reducing wear. Minor surface scratches or crazing typical of age might be present but are not clearly visible in the provided images.

HOW SCARCE IS IT?

Ordinary40-55%
CommonLegendary

Standard antiques commonly found at estate sales and flea markets. Plentiful supply meets modest demand.

Typical Characteristics

  • Moderate production runs
  • Common at estate sales
  • Entry-level collectibles

CERAMICIST'S ASSESSMENT

Decorative Arts Specialist

Ceramics & Silver Expert

High confidence is given due to the clear visual evidence of the specific landmark, the consistent stylistic elements of Dutch souvenir ceramics, and the visible—though slightly obscured—maker's mark indicating Dutch origin.

KEY EVIDENCE

  • 1The central image ('Delft, Oude Kerk') identifies a specific Dutch landmark.
  • 2The blue and white palette and scenic decoration are characteristic of Delft-style souvenir ware.
  • 3The visible mark 'MADE IN HOLLAND' and 'Mooi Nederland' on the reverse clearly indicate Dutch manufacture.
  • 4The mark includes a crown and a shield-like emblem with 'Royal Goedewaagen' or 'Schwabap' elements, pointing to a probable Dutch manufacturer known for such wares.

WHAT WOULD IMPROVE CERTAINTY

  • →A clearer, high-resolution image of the maker's mark on the reverse to precisely identify the manufacturer and any potential date codes.
  • →A close-up inspection of the transfer print under magnification to confirm the technique and lack of hand-painting.
  • →UV light examination to check for any hidden repairs or restorations to the glaze or body.

CERAMICS MARKET VALUE

$15 - $45

Updated: Feb 26, 2026

  • Market comparables from auctions & retail
  • Condition, completeness & craftsmanship
  • Current collector demand & trends
  • Low = quick sale, high = patient seller

For informational purposes only, not a formal appraisal.

FROM THE CABINET OF

RE

Rene

Fellow Collector•44 items

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