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Famille Rose 'Gu' Form Porcelain Vase

A pink-ground Chinese porcelain Gu vase with floral scrolls and a turquoise-glazed interior, featuring a blue seal mark on the base. - view 1
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Estimated value

$250 - $650

Rarity

Average(4/10)

Era

Early 20th Century (Republic Period)

Origin

🇨🇳 China

Authenticity

Uncertain(45%)
11

FAMILLE ROSE 'GU' FORM PORCELAIN VASE: IDENTIFICATION

A porcelain trumpet-shaped vessel, or 'Gu' vase, featuring a flared rim, a central bulbous boss, and an out-turned foot. The exterior is decorated in the Famille Rose palette with a dominant rose-pink ground, featuring stylized lotus blooms, scrolling tendrils, and plantain leaf borders. The interior and base are coated in a pale turquoise-green glaze. A six-character iron-blue seal mark in zhuanshu script is centrally positioned on the base.

Compare with other ceramic pieces in the archive: Alabaster Urn-Shaped Vase, Han Dynasty Style Glazed Ceramic Boar Figurine, Chinese Blue and White 'Three Friends of Winter' Stem Cup, Ming Style.

CROSS-CULTURAL PARALLELS

Where This Object Echoes

Bronze Age Chinac. 1600–1046 BCE

The Gu form was originally a ritual bronze vessel used for drinking fermented beverages during ceremonial offerings.

Ritual & Ceremonial Use

  • •Domestic display as a flower holder on a scholar's desk or an ancestral altar
  • •Gifting for longevity and prosperity, symbolized by the evergreen scrolling lotus

Meaning Through Time

Shang Dynasty

Sacred ritual implement for ancestral communication.

Qing Dynasty

Scholarly appreciation for antiquity and refined aesthetic status.

PRODUCTION & FIRING

The 'Gu' shape is a deliberate archaistic revival of ancient Chinese bronze wine vessels from the Shang and Zhou dynasties. This specific decorative program, utilizing a pink ground with symmetrical lotus scrolls, became localized during the Qianlong period (1736-1795) but remained a standard ...
The 'Gu' shape is a deliberate archaistic revival of ancient Chinese bronze wine vessels from the Shang and Zhou dynasties. This specific decorative program, utilizing a pink ground with symmetrical lotus scrolls, became localized during the Qianlong period (1736-1795) but remained a standard production model for the Jingdezhen kilns throughout the 19th and early 20th centuries to meet both imperial and export demand.

COLLECTOR NOTES

1

The six-character mark on the base reads 'Da Qing Qianlong Nian Zhi', though the execution style suggests a Republic period (1912-1949) production rather than an 18th-century original.

SCARCITY

Average55-70%
CommonLegendary

Typical antique shop fare. Requires some searching but regularly available. This is where most genuine antiques fall.

Rarity 4/10. Curiosa currently catalogues 101 ceramics items at rarity 4 or higher.

Typical Characteristics

  • Standard antique shop items
  • Regularly available
  • Moderate collector interest

Confidence Factors

  • The base mark is a 'copy' mark referencing the Qianlong era but likely applied in the 20th century.
  • The precision of the scrollwork suggests 1920s-1940s Jingdezhen workshop standards rather than 18th-century imperial quality.
  • High prevalence of modern 'vintage-style' reproductions for this specific model.

Expert review recommended. Consider consulting a specialist before making purchasing decisions.

How does authenticity detection work?

CERAMICIST'S ASSESSMENT

Ceramics Historian & Kiln Specialist

Ceramics Expert

The identification of the era is based on the specific style of the iron-blue seal mark and the saturation of the enamels which align with Republic period workshop standards documented by Sotheby's and Christie's for similar 'apocryphal' pieces.

KEY EVIDENCE

  • 1Presence of turquoise 'muffled' glaze on the interior and base.
  • 2Six-character apocryphal Qianlong seal mark in iron-blue enamel.
  • 3Archaistic 'Gu' silhouette with central bulb section.
  • 4Enameled lotus scrolls on a sgraffito-style pink ground.
  • 5Character of the footrim paste shows fine, white Jingdezhen kaolin.

UNCERTAINTIES

  • •Apocryphal mark (mark of a previous era) is standard for this period but dictates value.
  • •Lack of 'pinpricks' or iron spots often seen in older 18th-century porcelain bodies.

WHAT WOULD IMPROVE CERTAINTY

  • →Conduct a tap test to check for hidden hairlines or 'dead' sound indicating repair.
  • →Examine under long-wave UV light for fluorescent resins signifying restoration on the flared rim.
  • →Check for transparency under a high-intensity light source to verify body thickness.

CONDITION & GRADE

Very Good

Grading breakdown

The enamel remains vibrant with very little scuffing, and the base mark is sharply defined without typical firing blur found in lower-quality exports.

Condition

The footrim shows moderate shelf wear and minor oxidation consistent with a 75-100 year age. No visible chips or hairlines are present in the provided images, though the gilding on the rim shows slight thinning.

CERAMICS MARKET VALUE

$250 - $650

Updated: May 11, 2026

Who buys this

Collectors of Chinese Republic period (1912-1949) porcelain and interior designers looking for 'Grandmillennial' or Chinoiserie accents.

What increases value

  • •Clarity and precision of the hand-painted enamels
  • •Integrity of the flared rim which is highly prone to chipping
  • •Quality of the turquoise interior glaze application

What lowers value

  • •Hidden cracks in the narrow neck which often go unnoticed
  • •Modern 21st-century mass-production mimics this style exactly, reducing market trust without provenance

What makes top-tier examples

  • •Thinner, translucent porcelain body
  • •Finely drawn 'sgraffito' feathering in the pink enamel ground
  • •Imperial-quality calligraphy in the base mark

Grade & condition

Condition of the gilding on the mouth rim and the presence/absence of star-cracks on the base.

Rarity & demand

AverageModerate demandModerate liquidity
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For informational purposes only, not a formal appraisal.

FROM THE CABINET OF

KJ

kjk
Wonderseeker•1 item

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