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Chinese Blue and White 'Dragon' Meiping Vase with Incised Waves

Chinese porcelain meiping vase with underglaze blue dragons and incised waves, showing a Qianlong seal mark on the base. - view 1
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Estimated value

$800 - $3,000

Rarity

Average(4/10)

Category

Asian Art

Era

19th - 20th Century (Bearing Apocryphal 18th Century Mark)

Origin

🇨🇳 China

Authenticity

Low(15%)
4

CHINESE BLUE AND WHITE 'DRAGON' MEIPING VASE WITH INCISED WAVES: ORIGINS & SIGNIFICANCE

A Chinese porcelain meiping (plum vase) featuring a classic high shoulder and short, narrow neck. The vessel is decorated in underglaze cobalt blue with sinuous, five-clawed dragons in various dynamic poses pursuing flaming pearls. Notably, the white ground is textured with finely incised or carved (anhua) rolling waves, a highly sophisticated decorative technique demanding precise kiln control. The base bears a six-character 'Da Qing Qianlong Nian Zhi' (Great Qing Dynasty, Qianlong Period) seal mark in underglaze blue zhuanshu script. A small black enameled or inked collection/inventory number, 'A.59', is visible near the foot rim.

EASTERN & WESTERN ECHOES

Where This Object Echoes

Korean Joseon Dynasty15th-19th Century

The underglaze blue dragon motif was heavily utilized on Imperial and royal wine jars during the Joseon period, symbolizing equivalent sovereign authority.

Ritual & Ceremonial Use

  • Originally used in imperial banquets as wine storage vessels, later repurposed for seasonal floral displays in scholars' studios and palaces.

Meaning Through Time

Ming to Qing Transition

The five-clawed dragon shifted from being strictly regulated for the Emperor alone to being slightly more broadly applied to Imperial princes, though it always retained its association with the absolute top of the social hierarchy.

EASTERN PROVENANCE

The combination of underglaze blue dragons soaring over an incised or carved wave ground reached a pinnacle of technical refinement during the 18th-century Qianlong reign. The five-clawed dragon is the ultimate symbol of Imperial authority, representing the Emperor as the Son of Heaven. The ...
The combination of underglaze blue dragons soaring over an incised or carved wave ground reached a pinnacle of technical refinement during the 18th-century Qianlong reign. The five-clawed dragon is the ultimate symbol of Imperial authority, representing the Emperor as the Son of Heaven. The meiping form itself has deep roots in Chinese ceramics, originally serving as a wine vessel in the Song dynasty before evolving into a display form favored for holding plum blossoms.

EASTERN FOOTNOTES

1

The 'meiping' or plum vase form was designed with a narrow mouth specifically to restrict evaporation when it originally held wine, and later to perfectly support a single, elegant branch of winter plum blossoms.

2

Apocryphal reign marks were not originally intended to deceive; artisans in later periods often applied earlier marks out of reverence for the golden eras of porcelain production, though today they severely complicate valuation.

HOW SCARCE IS IT?

Average55-70%
CommonLegendary

Typical antique shop fare. Requires some searching but regularly available. This is where most genuine antiques fall.

Typical Characteristics

  • Standard antique shop items
  • Regularly available
  • Moderate collector interest

Confidence Factors

  • The market is heavily saturated with high-quality 20th and 21st-century reproductions of Qing Imperial wares.
  • The user's dating of 1500 (Ming) fundamentally contradicts the Qianlong (1736-1795) zhuanshu seal mark on the base.
  • The unglazed foot rim appears remarkably pristine and bright white, lacking the natural, subtle degradation, iron burning, or patina commonly seen on genuinely 250-year-old Imperial porcelain.
  • While the inventory mark 'A.59' suggests older provenance, these marks are sometimes added to modern pieces to create false historical legitimacy.

Expert review recommended. Consider consulting a specialist before making purchasing decisions.

How does authenticity detection work?

ASIAN ART SCHOLAR'S TAKE

Asian Art Specialist

East Asian Art Expert

While the object type, stylistic elements, and mark are visually clear, dating high-end Chinese porcelain from photographs alone is impossible due to the sophistication of modern forgeries, requiring a conservative 'high-quality later copy' valuation until physically verified.

KEY EVIDENCE

  • 1Six-character Great Qing Qianlong seal mark (Zhuanshu script) in underglaze blue.
  • 2Presence of 'anhua' (incised/secret) wave decorations beneath the transparent glaze.
  • 3Classic high-shouldered 'meiping' vessel form.
  • 4Bright, unblemished kaolin paste at the foot rim suggesting 19th-century or later firing.
  • 5Inventory hand-painted 'A.59' mark suggesting past institutional or private collection tracking.

UNCERTAINTIES

  • Extreme discrepancy between the user's 1500 chronological attribution and the physical Qing dynasty mark.
  • Lack of expected oxidation, wear, or iron-rust spotting at the unglazed foot rim boundary to confidently confirm an 18th-century firing.
  • The sheer rarity of Mark and Period Imperial Qianlong meipings means any piece found outside of documented collections has an extremely high statistical likelihood of being a later copy.

WHAT WOULD IMPROVE CERTAINTY

  • Examine the unglazed foot rim under 10x magnification to check for age-appropriate paste degradation or artificial aging.
  • Submit the piece to a reputed auction house for a specialist's hands-on assessment of the glaze 'feel' and weight.
  • Consider Thermoluminescence (TL) testing if a core sample can be safely obtained from an unglazed base area to definitively separate an 18th-century original from a 20th-century copy.

CONDITION & GRADE

Condition

Visually presents in excellent condition with no obvious chips, cracks, or restorations visible in the provided angles. The glaze remains highly unctuous and bright. The user notes 'Minor wear,' which is consistent with the clean appearance of the foot rim and surface.

Surface

The piece exhibits a glossy, bright transparent glaze over vibrant, well-controlled cobalt. The underlying body features tactile 'anhua' (secret) carved slip decoration forming the waves. The foot rim is unglazed, showing a refined, very white, smooth porcelain paste with minimal signs of iron-spotting or natural environmental patination.

Weight & feel

Due to the meiping form and size, it should feel substantial and bottom-heavy, with the dense, high-fired kaolin clay providing significant heft.

ASIAN ART VALUATION

$800 - $3,000

Updated: May 4, 2026

Who buys this

Collectors of Chinese export and domestic porcelain, interior decorators focused on Chinoiserie, and specialists in Qing dynasty decorative arts.

What increases value

  • Definitive authentication of the piece as a genuine 'Mark and Period' Qianlong imperial ware (which would increase value exponentially into the hundreds of thousands).
  • The sophistication of the anhua (incised) waving below the glaze, which proves elevated craftsmanship regardless of age.
  • Documented provenance tracing the 'A.59' mark to a historic Western collection.

What lowers value

  • Confirmation as a modern reproduction rather than a late Qing or Republic period piece.
  • Any unphotographed hairlines, glaze fritting, or foot rim chips.

What makes top-tier examples

  • Absolute flawless potting with no kiln warping.
  • Vibrant sapphire-blue cobalt with distinct 'heaping and piling' effects.
  • Clear, undisputable provenance predating 1950.

Grade & condition

In ceramics, entirely dependent on intact structural integrity (no cracks or chips), brightness of the cobalt, precision of the mark, and clarity of the glaze.

Rarity & demand

AverageHigh demandModerate liquidity
Browse similar asian objects

For informational purposes only, not a formal appraisal.

CONTEXT ANALYSIS

How your provided context compares with Curiosa.com scanner findings.

What Aligned

  • User stated 'Minor wear' - Supported by the pristine visual condition of the glaze and foot rim.

What Conflicted

  • User stated 'Time Period: 1500' - This is definitively contradicted by the base mark. 1500 falls in the Ming Dynasty (Hongzhi period), while the mark clearly reads 'Da Qing Qianlong Nian Zhi' in seal script, dating the style and intended attribution to the Qianlong period (1736-1795) of the Qing Dynasty.

FROM THE CABINET OF

GO

good0225

Wonderseeker1 item

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